THE BACCHAE/BLOOD WEDDING Reviews

"Ery Nzaramba's excellent Dionysus..."
The Observer, Review by Clare Brennan

Read full reviews

Media Coverage for BLOOD WEDDING and THE BACCHAE

The top plays for spring (2012), by Michael Billington and Lyn Gardner

"The Bacchae/Blood Wedding (Critic's choice)
Laurie Sansom has turned Northampton into one of Britain's most exciting theatres. Now he starts a three-play Festival of Chaos with an unusual pairing. Euripides' great Greek tragedy, newly translated by Rosanna Lowe, will be staged in an as-yet undisclosed post-industrial setting. Meanwhile, Lorca's poetic study of hot-blooded desire, in a new version by Tommy Murphy, takes place in the existing Victorian theatre. With Hedda Gabler to come in July, this should be quite an event." 

guardian.co.uk, Monday 9 April 2012
Read article 

 THE THREE MUSKETEERS Reviews

"Eric Nzaramba, who has matured into a very charismatic actor, gives us a suitably enigmatic Athos with a good line in pithy comments. His exploitative, womanising Buckingham works well too."
The Stage

"Eric Nzaramba makes a smoulderingly evil Rochefort, a hard-drinking but sharp Athos and a hilariously vain Buckingham."
AYT

Read full reviews

BEAUTY AND THE BEAST Reviews

"Street-wise suitor, Bruno, (Ery Nzaramba) deserves special mention for bringing a cool and wonderfully humorous touch to making this a tale of the modern day."
London Festival Fringe

Read full reviews

Interview with New Black Magazine

"Two continents, seven languages: A UK-based Belgian of Rwandan descent, Ery Nzaramba is also a performer, writer and budding film-maker who has already accumulated enough real life drama to inform the many facets of his artistic career."
Shaun Ajamu Hutchinson

Read full interview

THE GARBAGE KING Reviews

"Ery Nzaramba as Mamo, the Garbage King, is thoroughly engaging and a joy to watch."
South London Press

"Ery Nzaramba is a sheer joy to watch as Mamo, eventually dubbed the eponymous Garbage King."
The Stage

Read full reviews

RENDITION MONOLOGUES Review

"The show features a beautiful original score by composer and pianist Michael Edwards, played by himself and cellist Jeremy Tiang, and five striking performances, notably from Ery Nzaramba as Binyam Mohammed."
Joyce McMillan, The Scotsman

Read full review

"Ery Nzaramba perfectly portrays Binyam's futile attempt to remain dispassionate while describing his version of events"
Richard Stamp, FringeGuru

Read full review

BARABAS Review

"Ery Nzaramba gives a standout performance as the slave Ithamore who assists Barabas on his quest for revenge."
West Briton

Read full review

Interview with BabelFruit

"Do you feel differently (that is, like a different person) when writing/performing lyrics or verse in French or English? One can see in your writing that you are very aware of rhythms;
do these vary from language to language without changing your identity and what you want to say?"
Ren Katherine Powell, Editor of BabelFruit.org

Read full interview

SHOWCASE Review

"Those casting directors looking for engaging, impassioned male actors need look no further than Nzaramba. He really burst into life in Joe Penhall's Blue/Orange - playing a character as fiery as you dare expect at a student showcase"
The Stage

Read review